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I don’t care how disciplined you are—even Navy Seals deal with procrastination. When someone flags a problem at work, my default reaction is: “That’s something for future Adam to deal with.” (And just to be clear: I’m not a Navy Seal—just making a point). Of course, I don’t just ignore it. I’ll analyze the issue, weigh it against the backlog, and decide if it’s worth tackling now or later. This goes to show that if a problem doesn’t feel painful or urgent enough, it’s easy to:
Your audience is no different. If there’s no tension—no clear risk, no stakes—they won’t act. They won’t even care. Every good story needs a compelling conflict, or you’ll risk facing these other problems:
The Reason This HappensLet’s face it: most people in tech are overly obsessed with the solution. We love showcasing what we’ve built or innovated—but skip over the messy problem that made the solution necessary in the first place. Everything that once felt risky or confusing now feels obvious in hindsight, so we unintentionally leave them out. But in storytelling, you need to build tension for a more satisfying release. If Lord of the Rings skipped straight to when Frodo destroyed the One Ring, it’d be boring. No orcs, no Gollum, no impossible journey—just a guy tossing a trinket into a volcano. Here are some other reasons why people in tech skip conflict and stakes in their stories:
How to Fix ItTo make your story stick, you don’t need drama—you need pain. Studies have shown that humans are more motivated to avoid pain than to chase gains. This phenomenon is called “loss aversion” and marketers, politicians and entrepreneurs have leveraged its power to add weight to their stories. So instead of avoiding conflict, you need to lean into it. And it doesn’t have to be in a fear-mongering way. Steve Jobs did this during his 2007 iPhone reveal presentation where he showed how phone keyboards were not customizable and took almost half the real estate. This made the revealing of the solution much more compelling. Here are other ways to add conflict to your story: 1. Add clear stakes to amplify the painMost people treat conflict and stakes like they’re the same thing—but they’re more like salt and pepper in a story. They work best together, but they add different flavors. Let’s go back to Steve Jobs’ iPhone reveal presentation. He didn’t just say, “Smartphone keyboards are bad.”
That’s when the touchscreen reveal hit hard—it didn’t just look cool. It solved a real, painful, urgent problem. So when you’re writing your own story:
Together, they turn a flat explanation into a persuasive message that sticks. 2. Be specific and tangibleDon’t just name the problem—paint it. The more specific and tangible your description, the easier it is for your audience to say, “That’s exactly what I’m dealing with.”
Let’s say you’re building a better onboarding experience:
Or maybe your tool helps teams collaborate better:
Use both to create that “aha, this was made for me” moment. 3. Use the right frameThe way you frame a problem changes how big—or small—it feels. A weak frame makes the issue seem like a minor inconvenience. A strong frame reframes it as a threat, a risk, or a frustrating roadblock that your audience can’t afford to ignore. In general, people are eager to avoid wasting:
Example of a weak frame: ** ❌“Onboarding is confusing.” Let’s reframe this in other ways: ✅ Time “You’ve spent weeks driving traffic and signing up users—only to lose them seconds after they verify their email. All that effort, gone in a click.” ✅ Money “Every user who drops off after email verification is a lost conversion. Every dollar is wasted on acquiring users who never stick around long enough to bring value.” ✅Opportunity Frame “You’re missing the chance to activate new users while their motivation is highest. That moment of excitement? It’s now given to your competitors.” Notice how the core problem remains the same, but the way you describe the problem can make a huge difference in how people perceive them. TakeawayConflict and stakes are essential to making your message stick. The clearer and more urgent the problem, the more your audience will care—and act. So next time you tell a story, ask yourself: What’s at stake here, and how can I make it feel real? P.S. I’m working on something special—a course on storytelling for people in tech. To make sure it’s as useful as possible, I’d love your input: Which of these is your biggest struggle right now?
Looking for something else? Reply and let me know! Adam |
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